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Extra resources for AESTHETIC AS SCIENCE OF EXPRESSION AND GENERAL LINGUISTIC
Asks the sophist, ironically. " [Sidenote] _Philosophy as perfect science. _ The world of what has happened, of the concrete, of history, is the world that is called real, natural, including in this definition the reality that is called physical, as well as that which is called spiritual and human. All this world is intuition; historical intuition, if it be realistically shown as it is, or imaginary intuition, artistic in the strict sense, if shown under the aspect of the possible, that is to say, of the imaginable.
Vico combated formalist and mathematical logic in favour of inventive methods. Kant called attention to _a priori_ syntheses. The absolute idealists despised the Aristotelian logic. The followers of Herbart, bound to Aristotle, on the other hand, set in relief those judgments which they called narrative, which are of a character altogether different from other logical judgments. Finally, the linguists insisted upon the irrationality of the word, in relation to the concept. But a conscious, sure, and radical movement of reform can find no base or starting-point, save in the science of Aesthetic.
Examination of the sources and of authority is directed toward establishing the most credible evidence. And what is the most credible evidence, save that of the best observers, that is, of those who best remember and (be it understood) have not desired to falsify, nor had interest in falsifying the truth of things? From this it follows that intellectual scepticism finds it easy to deny the certainty of any history, for the certainty of history is never that of science. Historical certainty is composed of memory and of authority, not of analyses and of demonstration.